Reboots and sequels are the language of Hollywood right now. Nostalgia sells, and when a property gains traction, it makes sense to revisit it for more storytelling potential. But even some of the biggest continuations end up damaging the future of a franchise in one way or another.
Whether it’s because the film was poorly directed, was terribly performed at the box office, or just didn’t inspire audiences to engage quite like the original hit, these films had short-lived effects. and long term on their respective film series. That’s not to say that none of them continue in some form or another, but each has a niche story of failure to explore.
Blade Runner 2049 (2017)
Blade Runner 2049 is a visually stunning film. It also features a compelling storyline that both introduces new avenues and brings back a fan favorite character. It does all of this while staying true to the components of the original Blade runner which made the film so unique in the first place.
However, 2049 was a financial flop, when he deserved a second chance. It could turn into an animated series, but ultimately Blade runner seems to have no future on the big screen at the moment. Poor marketing, a long lifespan, and the fact that the original was always a cult classic may have hampered its performance.
Total recall (2012)
Total recall It might not be as bad as critics claim, but it’s still far from a perfect production. The original is a sci-fi classic that has gone on to influence the genre as a whole. The remake sort of took the less original aspects of the first installment and married them to a boring script.
The performance of the film is certainly commendable, and there is an interesting production design throughout the play. Yet there’s also a level of blandness permeating what should be an exciting action-romp with satirical elements stripped down in favor of new hit beats. Ultimately, Total recall as a property did not attract the public.
The original Robocop is a fan favorite in part because of the cheese in production. It’s a nostalgic classic that feels incredibly retro, even for the time. The future envisioned by the film was an interesting look at society’s perception of technology at the time of its release.
The charming elements of Robocop, from wacky costume to one-liners, are all removed for the remake. The irony associated with the franchise is gone, replaced with brighter robotics and a narrative that tries to align with some of the technological issues facing humanity today. Both critically and commercially, this message fell flat, and the new series of Robocop was abandoned.
Ghost Hunters (2016)
Several defensive arguments could be advanced according to which the ghost hunters the reboot is actually underrated in many ways. The film certainly sparked a lot of controversy when it was released, with debate raging over whether to reboot a classic with a female-centric cast.
In reality, the actors could have been the perfect people for the job, with the performance of the actors being undermined by both script flaws and audience perception. The Ghostbusters franchise might survive in its original incarnation thanks to the upcoming sequel, but the reboot world was sadly destroyed when the feature was released.
Terminator: Dark Fate (2019)
Terminator, and T2: Judgment Day more so, are cultural contact points for moviegoers. These pop culture icons have led to diminishing returns with every attempt to produce a sequel or a smooth reboot. Terminator: Dark Fate unfairly gained a reputation for terminating the franchise.
The movie itself is perhaps one of the best since those two original versions. Still, the franchise’s coverage got so negative that it just didn’t work out at the box office. Dark fate is a worthy sequel, but one that has aroused disinterest thanks to audience fatigue.
What was achieved with the original Hellboy adaptations of graphic novels was truly phenomenal. While a mainstream audience may not have been linked to the character, the first two installments of the franchise managed to stand out from the rest of the superhero genre.
This mythical, sci-fi, and fantasy production won its own reboot with a brilliant lead and strong visuals. He was held back by a strange set-up and a bad marketing campaign. Some negative reviews have only propelled production into obscurity despite the real potential of this iteration of the property.
The Incredible Spider-Man 2 (2014)
The Spider-Man series may have been rebooted far too many times, but Disney has apparently landed on a perfect formula. The original trilogy could have been concluded with the sub-par Spider-Man 3 corn The Amazing Spider-Man the universe was wiped out as a result.
The Incredible Spider-Man 2 combined bad storytelling with an uninspired attempt to create a shared universe with the Sinister Six. Rushed narrative rhythms and bizarre interpretations of comic book characters forced Sony to return to the drawing board once again. Hopefully this performance will get some sort of redemption in Spider-Man: No Path Home.
The Mummy (2017)
No amount of star power could help The Mummy in his fight at the box office. Universal has tried to launch the Dark Universe over and over again with very little success. This last Mummy reboot was an attempt to include the world famous property in the lineup of other universal monster reboots.
While the original sells the idea of adventure, inspired by heroes like Indiana Jones, the remake combines the concept with a mythology that never seems to fit in. Some poor performances and wobbly visuals held him back more, but ultimately the pace and perception of the piece put an end to the entire Dark Universe once again.
Pirates of the Caribbean: The Dead Tell No Tales (2017)
Pirates of the Caribbean: Curse of the Black Pearl continues to be the pinnacle of franchising. He kicked off a seemingly endless line of sequels that eventually hit its limit, with Dead men don’t tell stories an image that seemed to be the antithesis of everything the first game represented.
With characterizations that felt far removed from their original incarnation to action beats copied from the past and a smooth reboot approach that introduced audiences to a range of bland characters, the international title Salazar’s Revenge killed all the interest the public had left.
Men in Black: International (2019)
Men in black made a surprisingly successful comeback with Men in black 3 who managed to show what the franchise can really achieve with the right storytelling. Unfortunately, the reboot-esque International the iteration killed the momentum that had been built.
The charm of the leads was certainly not in question, but overall Men in black: international was basic in every way. Audiences are no longer reacting to average films and unfortunately this in-between show failed to create much excitement. Impressive visuals and quick action weren’t enough to fund another production in the series.
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